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Puls der Menge
Ein instrumentaler German Hands Up-Track mit kraftvollem Dancecore-Sound, eingΓ€ngigen Supersaw-Hooks, pumpendem Four-on-the-Floor-Beat und einer dynamischen Club-Struktur, die maximale Euphorie und TanzflΓ€chenenergie erzeugt.
02:41
3 days ago

612 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° Π½Π°ΡΡΠ½ΠΎΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΡΠΈΠΈΡΠΎ ΠΊΠΎΠΌΠ°Π½Π΄ΠΈΡΠΈ ΡΡΠ΅Π· ΠΌΠ°Π³ΠΈΡ, ΡΡΡΠ°ΡΠ΅Π³ΠΈΡ ΠΈ Π½Π΅ΠΏΠΎΠΊΠΎΠ»Π΅Π±ΠΈΠΌΠ° Π²ΠΎΠ»Ρ ΠΏΡΠ΅ΠΎΠ±ΡΠ°Π·ΡΠ²Π°Ρ Π³Π°Π»Π°ΠΊΡΠΈΠΊΠΈ. ΠΠΌΠ΅ΡΡΠΎ ΡΠ°Π·ΡΡΡΠ΅Π½ΠΈΠ΅, Π°ΡΠΌΠΈΡΡΠ° ΡΡΠ·Π΄Π°Π²Π° Π½ΠΎΠ²ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅, Π΄ΠΎΠΊΠ°ΡΠΎ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈ Π΄ΠΈΠ°Π»ΠΎΠ·ΠΈ ΡΠ°Π·ΠΊΡΠΈΠ²Π°Ρ ΡΠΈΠ»Π°ΡΠ° Π½Π° ΠΈΠΌΠ΅Π½Π°ΡΠ°, Π·Π½Π°Π½ΠΈΠ΅ΡΠΎ ΠΈ ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ΡΠΎ.
04:15
3 days ago

622 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΠΊΠΎΠΉΡΠΎ ΡΡΠ΅Π· ΠΌΠ°Π³ΠΈΡ, Π·Π½Π°Π½ΠΈΠ΅ ΠΈ ΡΡΠ·ΠΈΠ΄Π°ΡΠ΅Π»Π½Π° Π΅Π½Π΅ΡΠ³ΠΈΡ ΠΏΡΠ΅ΠΎΠ±ΡΠ°Π·ΡΠ²Π° Π²ΡΠ΅Π»Π΅Π½ΠΈ. ΠΠΈΠ°Π»ΠΎΠ³ΡΡ ΠΌΠ΅ΠΆΠ΄Ρ Π³Π΅ΡΠΎΠΈΡΠ΅ ΠΏΠΎΠ΄ΡΠ΅ΡΡΠ°Π²Π° ΡΠ±Π»ΡΡΡΠΊΠ° ΠΌΠ΅ΠΆΠ΄Ρ Π²Π΄ΡΡ Π½ΠΎΠ²Π΅Π½ΠΈΠ΅ΡΠΎ ΠΈ ΡΠΊΠ΅ΠΏΡΠΈΡΠΈΠ·ΠΌΠ°, Π΄ΠΎΠΊΠ°ΡΠΎ ΡΡΠΈΡΠΌΡΠ°Π»Π½ΠΈΡΡ ΠΌΠ°ΡΡ Π²ΠΎΠ΄ΠΈ ΠΊΡΠΌ Π½Π΅ΠΈΠ·Π±Π΅ΠΆΠ½Π° ΠΏΠΎΠ±Π΅Π΄Π°.
03:02
3 days ago

632 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΠΊΠΎΠΉΡΠΎ ΡΡΠ΅Π· ΠΌΠ°Π³ΠΈΡ, ΡΡΡΠ°ΡΠ΅Π³ΠΈΡ ΠΈ ΡΠΈΠ»Π°ΡΠ° Π½Π° ΡΡΠΌΠ½Π°ΡΠ° ΠΌΠ°ΡΠ΅ΡΠΈΡ ΡΠ°Π·Π³ΡΠΎΠΌΡΠ²Π° Π·ΠΌΠΈΠΉΡΠΊΠΈ Π°ΡΠΌΠΈΠΈ, Π΄ΠΎΠΊΠ°ΡΠΎ ΡΡΠ·Π΄Π°Π²Π° Π½ΠΎΠ²ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅. ΠΡΡΠΎΡΠΈΡΡΠ° ΠΏΡΠ΅ΠΏΠ»ΠΈΡΠ° ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈ Π΄ΠΈΠ°Π»ΠΎΠ·ΠΈ, Π³Π΅ΡΠΎΠΈΠ·ΡΠΌ ΠΈ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΠ°Π·ΠΌΠ°Ρ .
05:34
3 days ago

642 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΠΈΡΡΠΎΡΠΈΡ Π·Π° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ΠΈ, ΠΌΠ°Π³ΠΈΡΠ΅ΡΠΊΠΈ Π³Π΅ΡΠΎΠΈ ΠΈ Π±ΠΈΡΠΊΠ° ΡΡΠ΅ΡΡ Π·ΠΌΠΈΠΉΡΠΊΠΈΡΠ΅ ΡΠΈΠ»ΠΈ, ΠΊΡΠ΄Π΅ΡΠΎ ΡΠ°Π·ΡΡΡΠ΅Π½ΠΈΠ΅ΡΠΎ ΡΠ΅ ΠΏΡΠ΅Π²ΡΡΡΠ° Π² ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅, Π° Π·Π½Π°Π½ΠΈΠ΅ΡΠΎ, Π²ΠΎΠ»ΡΡΠ° ΠΈ ΠΌΠ°Π³ΠΈΡΡΠ° Π²ΠΎΠ΄ΡΡ ΠΊΡΠΌ Π³ΠΎΡΠΏΠΎΠ΄ΡΡΠ²ΠΎ Π½Π°Π΄ Π²ΡΠ΅Π»Π΅Π½ΠΈΡΠ΅.
04:12
3 days ago

652 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΎ-ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° ΡΡΡΠ΅ΠΌΠ΅ΠΆΠ° ΠΊΡΠΌ Π·Π½Π°Π½ΠΈΠ΅, Π·Π°Π³Π°Π΄ΠΊΠΈΡΠ΅ Π½Π° Π²ΡΠ΅ΠΌΠ΅ΡΠΎ ΠΈ ΠΌΠ°Π³ΠΈΡΠ΅ΡΠΊΠΈΡΠ΅ ΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ. ΠΠ΅ΡΠΎΠΈΡΠ΅ ΠΈΠ·ΡΠ°ΡΡΠ²Π°Ρ ΡΡΠ΅Π· ΠΎΠΏΠΈΡ, Π΄ΠΎΠΊΠ°ΡΠΎ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ ΠΏΡΠ΅Π²ΡΡΡΠ° ΡΠ°Π·ΡΡΡΠΈΡΠ΅Π»Π½Π°ΡΠ° Π΅Π½Π΅ΡΠ³ΠΈΡ Π² ΡΡΡΠ²ΠΎΡΠ΅Π½ΠΈΠ΅ ΠΈ Π½ΠΎΠ²ΠΈ Π·Π»Π°ΡΠ½ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅.
04:24
3 days ago

662 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ, ΠΊΠΎΡΡΠΎ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Ρ ΡΠ²Π΅ΡΠ΅Π½ΠΎΡΡΡΠ°, ΡΠ΅ΡΠΈΡΠ΅Π»Π½ΠΎΡΡΡΠ° ΠΈ Π²ΡΡΡΠ΅ΡΠ½Π°ΡΠ° ΡΠΈΠ»Π° ΠΊΠ°ΡΠΎ ΠΎΡΡΠΆΠΈΡ ΡΡΠ΅ΡΡ ΠΏΠΎΠ΄ΡΠΈΠ½Π΅Π½ΠΈΠ΅ΡΠΎ. ΠΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈΡΠ΅ ΠΎΠ±ΡΠ°Π·ΠΈ, ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈΡΠ΅ ΡΠ°Π·ΡΡΠΆΠ΄Π΅Π½ΠΈΡ ΠΈ ΠΌΠ°ΡΡΠΎΠ²Π°ΡΠ° Π΅Π½Π΅ΡΠ³ΠΈΡ ΠΈΠ·Π³ΡΠ°ΠΆΠ΄Π°Ρ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΡΠ°Π·ΠΊΠ°Π· Π·Π° Π΄ΡΡ ΠΎΠ²Π½ΠΎ ΠΈΠ·ΡΠ°ΡΡΠ²Π°Π½Π΅ ΠΈ Π½Π΅ΠΏΡΠ΅ΠΊΠ»ΠΎΠ½Π½ΠΎΡΡ.
04:50
3 days ago

672 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»Π½Π° Π½Π°ΡΡΠ½ΠΎΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° Π΅ΠΏΠΈΡΠ½Π° ΠΏΠ΅ΡΠ΅Π½ Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΠΠΏΡΡΡΠΎΡΠΈΡΠ΅Π»Ρ, ΠΌΠ°Π³ΡΠΎΡΠ½ΠΈΡΠΈ ΠΈ ΡΡΡΠ°ΡΠ΅Π³ΠΈΡΠ΅ΡΠΊΠΈ Π±ΠΈΡΠΊΠΈ, ΠΊΡΠ΄Π΅ΡΠΎ ΡΠ°Π·ΡΡΡΠΈΡΠ΅Π»Π½Π°ΡΠ° ΡΠΈΠ»Π° ΡΠ΅ ΠΏΡΠ΅Π²ΡΡΡΠ° Π² ΡΡΠ·ΠΈΠ΄Π°ΡΠ΅Π»Π½Π° Π΅Π½Π΅ΡΠ³ΠΈΡ, Π²ΠΎΠ΄Π΅ΡΠ° ΠΊΡΠΌ Π½ΠΎΠ²ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅, ΠΏΠΎΠ±Π΅Π΄ΠΈ ΠΈ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΎ Π²Π΅Π»ΠΈΡΠΈΠ΅.
04:37
3 days ago

682 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° Π½Π°ΡΡΠ½ΠΎ-ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΡΡΡΠ°ΡΠ΅Π³ΠΈΡΠ΅ΡΠΊΠΎ Π»ΠΈΠ΄Π΅ΡΡΡΠ²ΠΎ, Π²ΡΡΠ½ΠΎΡΡ, ΡΡΠ·ΠΈΠ΄Π°ΡΠ΅Π»Π½Π° ΡΠΈΠ»Π° ΠΈ Π΅Π΄ΠΈΠ½ΡΡΠ²ΠΎ. ΠΠΈΠ°Π»ΠΎΠ³ΡΡ ΠΌΠ΅ΠΆΠ΄Ρ Π³Π΅ΡΠΎΠΈΡΠ΅ ΠΈΠ·Π³ΡΠ°ΠΆΠ΄Π° ΡΠ²ΡΡ, Π² ΠΊΠΎΠΉΡΠΎ Π΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ°, Π»ΠΎΠ³ΠΈΠΊΠ°ΡΠ° ΠΈ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠ°ΡΠ° Π΅Π½Π΅ΡΠ³ΠΈΡ Π²ΠΎΠ΄ΡΡ ΠΊΡΠΌ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½Π° ΠΏΠΎΠ±Π΅Π΄Π°.
04:03
3 days ago

692 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠ΅ΡΠ΅Π½ΡΠ° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Ρ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈ Π΄ΠΈΠ°Π»ΠΎΠ³ Π·Π° ΠΏΠ°ΠΌΠ΅ΡΡΠ°, ΠΏΡΠ΅Π΄ΠΈΡΠ½ΠΈΡΠ΅ ΠΆΠΈΠ²ΠΎΡΠΈ, ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΈΡΠ΅ ΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ ΠΈ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ°ΡΠ° Π΅Π²ΠΎΠ»ΡΡΠΈΡ, ΠΎΠ±Π΅Π΄ΠΈΠ½Π΅Π½ Ρ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΠΌΠ°ΡΡ Π½Π° Π·Π»Π°ΡΠ½ΠΈ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ΠΈ, ΠΊΠΎΠΈΡΠΎ ΠΏΡΠ΅Π²ΡΡΡΠ°Ρ ΡΠ°Π·ΡΡΡΠ΅Π½ΠΈΠ΅ΡΠΎ Π² ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ ΠΈ Π½ΠΎΠ²ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅.
04:00
3 days ago

60102 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠ΅ΡΠ΅Π½ΡΠ° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Ρ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΎ-ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π΄ΠΈΠ°Π»ΠΎΠ³ Π·Π° ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡΡΠ°, ΠΏΠ°ΠΌΠ΅ΡΡΠ°, ΠΏΡΠ΅Π΄ΠΈΡΠ½ΠΈΡΠ΅ ΠΆΠΈΠ²ΠΎΡΠΈ ΠΈ Π±Π΅Π·ΠΊΡΠ°ΠΉΠ½ΠΎΡΠΎ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ Π½Π° ΡΡΠ·Π½Π°Π½ΠΈΠ΅ΡΠΎ. ΠΠΏΠΈΡΠ½ΠΈΡΡ ΠΌΠ°ΡΡ ΠΈ ΡΡΠΈΡΠΌΡΠ°Π»Π½Π°ΡΠ° Π°ΡΠΌΠΎΡΡΠ΅ΡΠ° ΠΏΡΠ΅Π²ΡΡΠΠ½Π°Π»ΠΈΠ· Π½Π° ΠΏΠ΅ΡΠ΅Π½ 60102ΡΠ°Ρ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ°ΡΠ° Π΅ΠΊΡΠΏΠ°Π½Π·ΠΈΡ Π² ΡΠΈΠΌΠ²ΠΎΠ» Π½Π° ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅, Π·Π½Π°Π½ΠΈΠ΅ ΠΈ Π²Π΅Π»ΠΈΡΠΈΠ΅.
04:29
3 days ago

60112 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
Π€ΠΈΠ»ΠΎΡΠΎΡΡΠΊΠ° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ° Π΅ΠΏΠΎΠΏΠ΅Ρ, ΠΊΠΎΡΡΠΎ ΠΏΡΠ΅ΠΏΠ»ΠΈΡΠ° ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ, Π²ΡΠ΅ΠΌΠ΅, Π²Π»Π°ΡΡ ΠΈ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ Π² ΠΌΠ°ΡΠ°Π±Π΅Π½ ΡΠ°Π·ΠΊΠ°Π· Π·Π° Π²ΡΠ΅Π»Π΅Π½Π°ΡΠ°. ΠΠΎΠ±Π΅Π΄ΠΎΠ½ΠΎΡΠ΅Π½ Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ ΠΏΡΠ΅Π²ΡΡΡΠ° ΡΠ°Π·ΡΡΡΠ΅Π½ΠΈΠ΅ΡΠΎ Π² ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ ΡΡΠ΅Π· Π΅Π½Π΅ΡΠ³ΠΈΡ, Π΅Π΄ΠΈΠ½ΡΡΠ²ΠΎ ΠΈ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΠΌΠ°ΡΡ.
04:28
3 days ago

60132 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΈΡΡΠΎΡΠΈΡ Π·Π° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ΠΈ, ΠΌΠ°Π³ΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ ΠΈ ΡΡΡΠ°ΡΠ΅Π³ΠΈΡΠ΅ΡΠΊΠ° Π±ΠΈΡΠΊΠ° ΡΡΠ΅ΡΡ Π·ΠΌΠΈΠ΅ΡΠ΅ΡΠ²Π΅ΠΈΡΠ΅. Π§ΡΠ΅Π· ΡΡΡΠ·, Π·Π½Π°Π½ΠΈΠ΅, ΠΈΠΌΠΏΡΠΎΠ²ΠΈΠ·Π°ΡΠΈΡ ΠΈ ΡΡΠ·ΠΈΠ΄Π°ΡΠ΅Π»Π½Π° Π΅Π½Π΅ΡΠ³ΠΈΡ Π³Π΅ΡΠΎΠΈΡΠ΅ ΡΠ΅ ΡΡΡΠ΅ΠΌΡΡ Π΄Π° ΠΈΠ·Π³ΡΠ°Π΄ΡΡ Π½ΠΎΠ²ΠΈ Π·Π»Π°ΡΠ½ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅ ΠΈ Π΄Π° ΠΏΠΎΡΡΠΈΠ³Π½Π°Ρ ΠΎΠΊΠΎΠ½ΡΠ°ΡΠ΅Π»Π½Π° ΠΏΠΎΠ±Π΅Π΄Π°.
04:54
3 days ago

hear the thunder
A cinematic instrumental hardstyle anthem that evolves from emotional piano and ambient textures into a massive euphoric climax, combining orchestral elements, choir, female vocal atmospheres, and powerful distorted kicks before ending with a reflective piano outro.
02:20
3 days ago

6031 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠ΅ΡΠ΅Π½ΡΠ° ΡΠ°Π·ΠΊΠ°Π·Π²Π° Π·Π° Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½, ΠΊΠΎΠΉΡΠΎ ΡΡΠ΅Π· ΠΌΠ°Π³ΠΈΡ, ΡΡΡΠ°ΡΠ΅Π³ΠΈΡ ΠΈ Π΅Π΄ΠΈΠ½ΡΡΠ²ΠΎ ΡΠ΅ ΠΈΠ·ΠΏΡΠ°Π²Ρ ΡΡΠ΅ΡΡ Π·ΠΌΠΈΠ΅ΡΠ΅ΡΠ²Π΅ΠΈΡΠ΅. ΠΠΏΠΈΡΠ½ΠΈΡΡ ΠΌΠ°ΡΡ ΡΡΡΠ΅ΡΠ°Π²Π° Π½Π°ΡΡΠ½Π° ΡΠ°Π½ΡΠ°ΡΡΠΈΠΊΠ°, ΠΊΠ²Π°Π½ΡΠΎΠ²Π° ΠΌΠΈΡΡΠΈΠΊΠ° ΠΈ Π³Π΅ΡΠΎΠΈΡΠ½Π° ΡΠ΅ΡΠΈΡΠ΅Π»Π½ΠΎΡΡ Π² ΡΡΡΠ΅ΠΌΠ΅ΠΆ ΠΊΡΠΌ ΡΡΠ·ΠΈΠ΄Π°ΡΠ΅Π»Π½Π° ΠΏΠΎΠ±Π΅Π΄Π°.
05:04
3 days ago

621 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
Π€ΠΈΠ»ΠΎΡΠΎΡΡΠΊΠ° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ° Π΅ΠΏΠΎΠΏΠ΅Ρ, ΠΊΠΎΡΡΠΎ ΠΏΡΠ΅ΠΏΠ»ΠΈΡΠ° ΠΈΠ΄Π΅ΠΈ Π·Π° ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡΡΠ°, Π²ΡΠ΅ΠΌΠ΅ΡΠΎ, ΡΠ°Π·ΡΠΈΡΡΠ²Π°ΡΠ°ΡΠ° ΡΠ΅ Π²ΡΠ΅Π»Π΅Π½Π° ΠΈ Π±ΠΎΡΠ±Π°ΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ΡΠΎ ΠΈ ΡΠ°Π·ΡΡΡΠ΅Π½ΠΈΠ΅ΡΠΎ. Π’ΡΠΈΡΠΌΡΠ°Π»Π΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ ΠΏΡΠ΅Π²ΡΡΡΠ° Π΅Π½Π΅ΡΠ³ΠΈΡΡΠ° Π² Π½ΠΎΠ²ΠΈ Π·Π»Π°ΡΠ½ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅ ΡΡΠ΅Π· Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½ ΠΌΠ°ΡΡ.
04:28
3 days ago

611 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»Π½Π° Π½Π°ΡΡΠ½ΠΎΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° Π΅ΠΏΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Π·Π° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ΠΈ, ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΈ ΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ, ΠΌΠΈΠ½Π°Π»ΠΈ ΠΆΠΈΠ²ΠΎΡΠΈ ΠΈ Π±Π΅Π·ΠΊΡΠ°ΠΉΠ½ΠΎ Π·Π½Π°Π½ΠΈΠ΅. ΠΠΎΡΠ΅Π½ EDM ΠΌΠ°ΡΡ Ρ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡΠ½Π° Π°ΡΠΌΠΎΡΡΠ΅ΡΠ° ΠΏΡΠ΅Π²ΡΡΡΠ° ΡΠ°Π·ΡΡΡΠΈΡΠ΅Π»Π½Π°ΡΠ° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠ° Π΅Π½Π΅ΡΠ³ΠΈΡ Π² ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ ΠΈ Π²ΡΠ·Ρ ΠΎΠ΄.
03:58
3 days ago

691 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»Π½Π° Π½Π°ΡΡΠ½ΠΎΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΈΡΡΠΎΡΠΈΡ Π·Π° Π΅Π²ΠΎΠ»ΡΡΠΈΡΡΠ° Π½Π° ΡΠΏΠ°ΡΠΈΡΠ΅Π»Π΅Π½ ΠΊΠΎΡΠ°Π± Π² ΠΌΠΎΠ³ΡΡ Π±ΠΎΠ΅Π½ ΡΠ»Π°Π³ΠΌΠ°Π½, ΠΊΠΎΠΉΡΠΎ ΡΡΠ±ΠΈΡΠ° ΡΠΈΠ»Π°, Π·Π½Π°Π½ΠΈΡ ΠΈ ΠΌΠ°Π³ΠΈΡ, Π·Π° Π΄Π° ΠΏΠΎΠ²Π΅Π΄Π΅ Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ ΡΡΠ΅ΡΡ Π·Π°ΠΏΠ»Π°Ρ ΠΈ, ΠΏΡΠ΅ΡΠΈΡΠ°ΡΠΈ Π²ΡΠ΅ΠΌΠ΅, ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ ΠΈ Π³Π°Π»Π°ΠΊΡΠΈΠΊΠΈ.
04:08
3 days ago

681 Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΠΈΠΌΠΏΠ΅ΡΡΠΊΠΈ Π»Π΅Π³ΠΈΠΎΠ½ Π² Π·Π»Π°ΡΠ΅Π½ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈ ΡΡΡΠΌ Π·Π° Π·Π»Π°ΡΠΎ
ΠΠΏΠΈΡΠ½Π° Π½Π°ΡΡΠ½ΠΎΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ½Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ, ΠΏΡΠΎΡΠ»Π΅Π΄ΡΠ²Π°ΡΠ° ΡΠ°Π·Π³ΠΎΠ²ΠΎΡΠΈ ΠΌΠ΅ΠΆΠ΄Ρ ΠΌΠΎΠ³ΡΡΠΈ ΡΡΡΠ΅ΡΡΠ²Π°, Π»Π΅Π³ΠΈΠΎΠ½ΠΈ ΠΈ Π±ΠΎΠΉΠ½ΠΈ Π΅Π΄ΠΈΠ½ΠΈΡΠΈ Π·Π° Π²ΡΡΠ½ΠΎΡΡ, ΡΡΡΠ°ΡΠ΅Π³ΠΈΡ, ΡΡΠ·ΠΈΠ΄Π°Π½ΠΈΠ΅ ΠΈ ΠΊΠΎΠΎΡΠ΄ΠΈΠ½Π°ΡΠΈΡ. ΠΡΠ·ΠΈΠΊΠ°ΡΠ° ΠΏΡΠ΅Π²ΡΡΡΠ° ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΈΡΠ΅ Π±ΠΈΡΠΊΠΈ Π² ΡΠΈΠΌΠ²ΠΎΠ» Π½Π° ΠΈΠ·Π³ΡΠ°ΠΆΠ΄Π°Π½Π΅ Π½Π° Π½ΠΎΠ²ΠΈ ΡΠ²Π΅ΡΠΎΠ²Π΅ ΠΈ Π΅Π΄ΠΈΠ½ΡΡΠ²ΠΎ.
03:44
3 days ago

TED DROP YOUR PANTS
A playful, tongue-in-cheek Eurodance anthem celebrating carefree partying, energetic dancing and crowd interaction. Female pop vocals and confident male rap combine with classic 90s club production to create an infectious, humorous and unforgettable dancefloor experience.
03:27
3 days ago
Introduction to Supersaw: Definition, History, andSupersaw music content Evolution
The Supersaw is a term in electronic music production that refers to a specific type of sound created by stacking multiple sawtooth waveforms, often seven or more, in unison. This technique was popularized by the trance music scene in the late 1990s and early 2000s. The sound is characterized by its thick, lush, and powerful texture, making it a staple in genres like trance, progressive house, and euro-dance. The term 'Supersaw' was first coined by Roland, a prominent manufacturer of synthesizers, specifically their JP-8000 synthesizer, which allowed for the creation of these expansive, detuned sawtooth waves. As the synth technology evolved, so did the Supersaw sound, becoming integral to electronic music and influencing countless artists and productions worldwide.
Sub-tags and Classifications of Supersaw Sound
Trance Supersaw
The Trance Supersaw is the most iconic and widely recognized version of the Supersaw sound, often used in uplifting trance tracks. It is characterized by its thick, shimmering texture and ability to fill a mix with energy. Typically, Trance Supersaw is used in lead melodies or breakdowns, creating an emotional and euphoria-inducing atmosphere.
Progressive Supersaw
Progressive Supersaw is a variation of the Supersaw sound used in progressive house and progressive trance. This version ofSupersaw content generation Supersaw is generally more subdued and less aggressive than its Trance counterpart. It is used to create a smooth and evolving atmosphere in the buildup and breakdown sections of progressive tracks.
Hardstyle Supersaw
Hardstyle Supersaw is a hard-hitting and distorted version of the Supersaw sound that is commonly used in the hardstyle and hardcore electronic music genres. The sound is typically processed with heavy distortion and clipping to produce a gritty, powerful effect that cuts through the mix, often in the climax or drop of a track.
Eurodance Supersaw
Eurodance Supersaw takes on a more melodic and commercial approach, commonly found in '90s and early 2000s Eurodance tracks. This version is usually less aggressive and more melodic, combining Supersaw with catchy pop-style vocals and uplifting chord progressions.
Famous Artists and Iconic Works in Supersaw Music
Matt Darey
Matt Darey is a key figure in the trance music scene and one of the early adopters of the Supersaw sound. His track 'Nocturnal' features the signature Supersaw lead, showcasing his skill in layering the sound to create emotional depth in the music.
Darude - Sandstorm
Released in 1999, 'Sandstorm' by Darude is one of the most iconic tracks that features the Supersaw sound. The track's lead melody is built around a supersaw synth, which drives the entire song. The heavy use of this sound gives 'Sandstorm' its energetic and unforgettable character, making it a timeless anthem in the trance and electronic music communities.
Darude
Famous for his global hit 'Sandstorm,' Darude helped popularize the Supersaw sound in the mainstream trance scene. The track's intense lead melodies are driven by a classic Supersaw sound, becoming an anthem for dancefloors worldwide.
Armin van Buuren - This Is What It Feels Like
Armin van Buuren's 'This Is What It Feels Like' is a perfect example of how the Supersaw can be used to create a rich, uplifting atmosphere in a track. The lead melody is crafted from a Supersaw sound layered with lush pads, creating a powerful and emotional feeling that resonates with listeners, making it one of his most successful crossover tracks.
Armin van Buuren
As one of the most influential names in trance music, Armin van Buuren has consistently incorporated Supersaw sounds in his productions. Tracks like 'This Is What It Feels Like' feature lush, soaring Supersaw leads that evoke powerful emotional responses from listeners.
TiΓ«sto - Lethal Industry
'Lethal Industry' is a track by TiΓ«sto that showcases the aggressive, driving energy of the Supersaw in a progressive trance context. The track's main hook, built from the Supersaw, creates an unmistakable energy that has made it a mainstay in TiΓ«sto's live sets.
TiΓ«sto
TiΓ«sto, one of the pioneers of trance and progressive house music, has used the Supersaw sound extensively in his tracks. His early works, like 'Lethal Industry,' prominently feature Supersaw leads that helped define the sound of early 2000s trance.
Application Scenarios of Supersaw Music in Various Media
Supersaw sounds are commonly used in movie soundtracks to enhance intense action scenes or emotional moments. The thick, powerful texture of Supersaw synths can evoke a sense of urgency, excitement, or grandeur, making them ideal for blockbusters or dramatic soundtracks.
Movie Soundtracks
In advertising, Supersaw music is often employed to create an uplifting and energetic atmosphere that grabs the listener's attention. The lush, full-bodied sound of the Supersaw can make a commercial more memorable and evoke a sense of positivity and excitement around a product or brand.
Advertising Music
Video game composers frequently use Supersaw music in background scores for action, racing, or sports games. The sound's vibrant and powerful qualities add intensity to gameplay, driving players' engagement and creating a high-energy environment.
Video Game Background Music
Supersaw music is a staple in live DJ performances, especially in trance and progressive house sets. The sound's ability to cut through the mix and energize the crowd makes it a perfect choice for drops and breakdowns, creating moments of euphoria and excitement on the dancefloor.
Live DJ Performances